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Probably the greatest significance of Norm Macdonald’s nike air max 90 premium womens australian open
Hitler’s Dog comes with the sparklingly succinct way Macdonald answers the industry’s political correctness controversies , at least from a comedian’s perspective, by situating some of the most repugnant and inflammatory remarks possible in the mouth of a made-up character, the titular dictator’s canine. Of course onstage it’s just Macdonald, in a suit humbly paired with dad sneakers, speaking the corrosive words. So, silly though they sound, with the wrong edit you might mistake them for Macdonald’s own views. “This is why we ask that you don’t use recording devices,” Macdonald says as a bumper to the bit.

Macdonald seems to be suggesting comedy comes from the same pocket of theatrical what-if as fiction or song, a hypothetical place, and shouldn’t be confused for advocacy—or anything to be argued with. You can find a song or a movie’s content objectionable, no doubt, but don’t treat it like it’s really real ; that Macdonald manages to communicate this without either polemic or defiance is an achievement of restraint.

Macdonald has worked in similar material before, like on Dennis Miller’s radio show when he toyed with the idea of a Holocaust-denying ventriloquist’s dummy, but here Macdonald folds the routine in with further explorations into the nature of reality, honesty, or the difference between immediate experience and imagination—so that the playing with masks gains in this case an added dimension in quite philosophical terrain.

For example, early in the special Macdonald muses on the existential horror of compulsive honesty, prompted by George Washington’s boyhood myth of the cherry tree. Later he revisits the struggle to tell the truth with a novel approach: “I thought of a way of not lying and I’ll share it with you if you like,” Macdonald says. “You can tell the truth, word for word absolutely true, but when you do it you use a sarcastic accent.” It becomes a gag about identity theft and heinous crimes all concealed by such a facetious “confession”—but again and again, between bits about autoerotic asphyxiation or the Six Million Dollar Man’s hearing aid, Macdonald returns to the subject of how arrangements of language and this interplay between literal and deceptive truths shape our minds’ interpretation of the world.

IMAGINE 2020

Watch our video recap of P.S You Are Here projects that have been completed so far...more to come!

2017 PSYAH from Denver Arts Venues on nike free run 1 shoes
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In April 2014 and inspired by Denver’s new cultural plan, IMAGINE 2020, Mayor Michael B. Hancock and Denver Arts Venues launched P.S. You Are Here (PSYAH), a citywide creative placemaking and neighborhood revitalization program that cultivates collaborative, community-led outdoor projects in Denver’s public spaces. PSYAH funds help support creative, short-term physical improvement projects that aim to transform our underutilized urban spaces to increase collaboration, honor heritage, build civic engagement, beautify neighborhoods, enrich communities and inspire long-term change.

In 2017, PSYAH will fund $70,000 in grants, applicants can request up to $10,000 in funding per project. Grants must be matched 1:1 by applicants through cash or in-kind contributions (goods or services) or volunteer time.

2017 PSYAH TIMELINE Call For Proposals opens: August 17 Submission deadline: EXTENDED through October 4, 5 p.m. Award Notification: November 2017 Funding Implementation Period: December 2017 – December 2018

2017 PSYAH TIMELINE EXTENDED through October 4, 5 p.m.

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PSYAH OVERVIEW

ELIGIBLE APPLICANTS

To be eligible, primary applicants must be place-based entities such as:

The following INELIGIBLE APPLICANTS may participate through endorsement or partnership with the above eligible applicants, but may not apply directly:

KEY REQUIREMENTS

PROJECT GOALS OBJECTIVES

CONTACT

For additional questions and information, please reach Lisa Gedgaudas, Denver Arts Venues Lisa.Gedgaudas@denvergov.org 720-865-5560

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